16th hihats, space sounds and analogue synth-action form a mix that refers strongly to the high days of Detroit Techno. And no surprise Legowelt focus on the technoid and crazy side of house and techno. > Last but not least there is Legowelt with another remix. The filtered strings on top create a dark and foggy club vibe like we know it from the good old days of dirty house music. He incorporates more oldskool elements such as straight forward 909-hihats and cymbals which results in a driving piece of housemusic. G is following the house route here, too however he creates an atmosphere closer to the one on Stefanik's album. This one will be heard in many DJ-sets this summer for sure! > Mr. The synths and the dub chords on top make this arrangement complete and close to perfection when it comes to merge house and techno. However don't sit back and relax as Adam Ports manages it to conjure a hedonistic and energetic tune that will for sure set floors on fire this summer! Although this Adam Port remix seems to be different to the ones we know at first glance it turns out to be one of his best works ever so far! Another "Adam Port sure shot!" > Mathias Kaden, Stefanik's dj-partner-in-crime, builds his remix for "Brothers in Crime" on a very solid and pumping NY-housebeat that creates a decent amount of power and energy. The dark bassline could also be found in a Carl-Craig-Mix and creates a deep arrangement with lots of space and room. Let's begin with Adam Port's remix for "Confidence" in which he delivers a real deep and housey gem with cool Moodyman-like elements. All four delivered outstanding mixes and we are not only saying this because we have to. We are happy to have the Leipzig house hero aboard and we are proud to announce the long awaited remix-12" featuring remixes by Adam Port, Mr. And he prooved with a number of outstanding DJ-sets over the last weeks that he progressed to a well respected and some of the "most wanted" artists around. We hope you like it.Daniel Stefanik generated some buzz this year with his latest album release on Cocoon Recordings. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. apart from Vintage Synthesizers, which I have been collecting for 20 years. It's their products I'm really interested in. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP,, COTK, Studio Electronics, John Bowen and others. Synthesizers are the epitome of new sounds and exciting tonal spheres. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. All musical efforts are focused on the sound itself. In other words, it is sufficient to play one tone 'beautifully'. In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. Doepfer, Cwejman,, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. “Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005.
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